THAT SHOW

$20
THAT SHOW is a community gathering of artists and creatives — half performance, half celebration.
HostTHAT SHOW
Date icon

Saturday, Dec 14, 2024

11:30 pm6:00 am UTC

IRL at Index
Contribute what you can — revenue will be shared between panelists & producers
HostTHAT SHOW
Date icon

Saturday, Dec 14, 2024

11:30 pm6:00 am UTC

IRL at Index
Contribute what you can — revenue will be shared between panelists & producers

THAT SHOW is a community gathering and showcase of early career performance artists. The evening is meant to build community within and beyond the New York City performance art scene— connecting movement, sound, and theater artists to each other and their audiences. We embrace a messy, do-it-yourself, community centered model to present several short works in one evening, followed by a DJ set and after-party.

Doors open at 6:30pm and performances start at 7:00. Dancing and mingling will follow. Refreshments will be available by donation. Follow us on IG @thatshownyc.

Program

  • 6:30–7:00PM: Reception, cash bar
  • 7:00–8:30: Seven works by NY based artists
  • 8:30–10:00PM: Cash bar, sound by DJ Peet the Scholar

Producer Bios

Kayla White (she/her) and Taylor Schmuelgen (she/her) are Brooklyn based movement artists, producers, and friends. They find great pleasure in cultivating spaces for artists (particularly early career performance makers) to share their work. Curious about where performance belongs and what it can do for people, they place dances in unconventional spaces and invite anyone and everyone to witness it. Their shared passions include but are not limited to – going on a long walk every Friday, framing first dates as an artistic practice, and enjoying an early morning coffee on the couch. You can usually find Kayla teaching Pilates somewhere in Brooklyn, staring deeply into her cat’s eyes, or sourcing the perfect ham and cheese croissant. Taylor is entirely too serious about the coffee she’s drinking and spends most days working in development at The Kitchen, one of NYC’s oldest experimental art centers.

Taylor (she/her) brags heavily about her upbringing in Austin, Texas, while Kayla will remind anyone that will listen that she prefers Austin to her own hometown of Dallas. They both enjoy a cold Lonestar beer and daydream about jumping into a central Texas lake on a hot day. Both hold a BFA in Dance Performance and Choreography from the University of Texas at Austin, where they became friends, made a lot of dances, and found themselves responsible for co-producing shows for the first time. It was here that they developed a deep interest in creating financially sustainable, collaborative, celebratory, and community-focused opportunities for cohorts of early-career artists to present their work.

Dancer Bios

Taylor Adams, Camilia Araque, Lindsey Jennings, Emily Schwartz

Taylor Adams, Camilia Araque, Lindsey Jennings, and Emily Schwartz met at the University of Illinois Urbana-Champaign while pursuing their degrees in dance. Long-time friends and now roommates, turned artistic collaborators and they created their first short dance work for a Dance at Illinois Alumni concert in 2023. Each of them work in various sectors of the dance field as performers, choreographers, teachers, and administrators, and find their creative collaboration grounded by their shared friendship and camaraderie. They are excited to be sharing Bang in THAT SHOW.

Ashton Atteberry

Ashton Atteberry (They/Them) is a non-binary dancer, choreographer and movement artist based in Brooklyn, New York. Their artistry is deeply rooted in their queer and trans identity, using dance as a vessel to further uncover and explore their gender and sexuality. Ashton seeks to create more visibility and opportunities for trans individuals in the dance world. Originally from North Carolina, Ashton began their formal dance training in the contemporary program at the University of North Carolina School of the Arts, graduating with a Bachelor of Fine Arts. While at UNCSA, they performed pieces by Robyn Mineko Williams, Larry Keigwin, Shen Wei, Grady Bowman and Martha Graham. Ashton then moved to NYC where they have worked with JKing Dance Company, Catherine Tharin Dance and VALLETO Dance.

Raychel Ceciro & Logan gabrielle Schulman

Logan gabrielle Schulman (they/them) is an interdisciplinary theatrical maker, director, and puppeteer. Recent directing credits include The Brick Theatre, Sarasota Orchestra, Hangar Theatre, The Drama League, Cellunova Theatre, 601 Artspace, and Flying Leap Productions. Currently, they are a Solomon R. Guggenheim Museum Teaching Artist, Swedish Cottage Marionette Puppeteer, Head of Arts at Asphalt Green, and a Drama League Director’s Project Alum.

Raychel Ceciro (they/them) is a Floridian eco-anthro-archival performance artist, engaging the past with a preposterous present through urgent tenderness and radical responsibility. Raychel has been presented along the east coast in New York and Philadelphia (The Brick, HERE arts, the Annenberg Performing Arts Center, among others) as well as in many parks, museums, and cultural centers throughout Florida, such as the Marie Selby Botanical Gardens and the Ringling Museum of Art. Their work has been supported by the Florida Humanities Council, the Florida Public Archaeology Network, and the Andrew W. Mellon Foundation.

Daniela & Gabby

Daniela Garcia-Arce(she/her) and Gabby Gubitosi (he/they) are both freelance artists, currently working in the education department of New York City Ballet. They create work that reflects their shared ancestry through colonization and reconcile with generational trauma by exploring the similarities between their Mexican and Filipino heritages. They celebrate their cultures, families, queerness, and the pieces of home they find in each other. They have most recently shown work at Waxworks and Movement Research. They are both 2022 graduates from Eugene Lang College at The New School with BA’s in Contemporary Dance and Gabby with a double degree in Politics.

go.co

Maggie Golder, founder of go.co, is a dancer/choreographer, with degrees in Dance and Psychology from Mount Holyoke College. She has performed in repertory by Pilobolus, Bebe Miller, Bill T. Jones, Vivake Kamsingsavath, Barbie Diewald, and Max Stone. Maggie has presented work at WAXworks (2018, 2024), 7MPR (2019, 2024), Peridance APEX (2019), The Craft (2019), Sketchbook Choreolab (2023), and WestFest (2024). Through grounded, rhythmic movement Maggie explores the relationship between performer and audience, encouraging artistic discussion and inclusion. Her work is further influenced by her practices as a musician and psychologist.

Miles

Miles (he/they) is a clown, mover, wiggler, creator, illustrator, and stoner. Whose sole purpose of existence is to entertain the masses with content that’ll leave you questioning what exactly this clown has awoken within you… Through extroverted emotional expressions and a surprisingly sensual embodiment of lollygagging, Miles offers you this glimpse into his loud brain.

Adriana Ogle & Cleo Reed

Adriana Ogle (she/her) is a tap dancer and grew up in North Carolina, performing extensively with the North Carolina Youth Tap Ensemble, directed by Gene Medler. In 2015, she joined Boston-based tap company Subject:Matter, performing at venues such as the Montréal Fringe Festival and The Yard and Martha’s Vineyard. She is an alumna of the 2019 Tap Program at The School at Jacob’s Pillow and received the Lorna Strassler Award. Since relocating to NYC, she has been part of Marshall Davis Jr.’s Revelations in Rhythm, Okwui Okpokwasili’s Swallow the Moon, the 2022 Little Island Music & Dance Festival, and she joined NYC tap company Music From The Sole. Recent highlights include: the TODAY Show’s 2022 Halloween Costume Reveal, premiering multiple original works throughout 2023 as well as co-choreographed work with Toru Sakuragi in the 2023 Battery Dance Festival, collaborating with musical artist Cleo Reed, she was a mentee in Camille A. Brown & Dancers’ 2024 Mentorship Program, and she was part of the skeleton crew for Dormeshia’s tap choreography in the New York City Center’s 2024 Encores! series revival of Jelly’s Last Jam. For the past year, she has been studying Swing/Lindy Hop under the guidance of Mickey Davidson.

Ella Josephine Julia Moore (they/them) is a multi-disciplinary artist whose practices uses participatory art, music composition, instrument-making, bandleading, installation and fabric arts. Under the alias Cleo Reed, they complete musical projects that are rooted in their ancestral & cultural lineage. Recently, they developed software instruments for Jon Batiste’s American Symphony at Carnegie Hall. Their debut album project, Root Cause was released in 2023 and alongside the work they premiered a self-directed performance art piece titled Black American Circus at AFROPUNK Festival, Banlieues Bleues in Paris, and Brooklyn Museum. They work toward a future that enables them to realize intentional creative endeavors and encourage joy within collaborative spaces such as museums, theaters, and unseen spaces. In their practice, they are currently drawn to notions of tradition, dissolving the binary, making noise, and breaking the barrier between artist and audience. More recently, Cleo is a recipient of the 2024 Map Fund. Cleo is currently a resident at Abrons Arts Center’s AIRspace Performance Residency through 2026, a Lighthouse Works Artist-In-Residence, and a 2025 Session Resident for Recess Arts. They are a recipient of the 2022 NYC Women’s Fund for Media Music and Theatre, a fellow for the National Jazz Museum in Harlem’s Jazz is NOW: Curatorial Fellowship, a selected composer as a part of the International Contemporary Ensemble’s Call For ____ Commission Program, as well as a fellow in OneBeat's 2023 global residency tour program. Cleo is an alumni of Harlem School of The Arts and a graduate of Berklee College of Music.

Amanda Stambrosky

Amanda Stambrosky is a Brooklyn based dancer, choreographer, and arts administrator. She received her BFA in Dance at The University of Florida. She has presented her choreography at Creative Cultural Center, Currents Showcase, Dance in Bushwick, Open Arts, Spitball at The Baumann, and Triskelion Arts. She was the first Dancer and Choreographer in Residence at The Harn Museum of Art in 2014. She has performed works by Alexandra Neuman, Celia Rowlson-Hall Digital Moves Dances, Joanna Mendl Shaw, Larry Keigwin, Nikki & the Noise, Nita Little, Pat Graney, Raja Feather Kelly, and Tzveta Kassabova. She currently works as the Finance Manager at Movement Research. She has produced two durational gallery style performances at Creative Cultural Center Breakup Party and A Haunting at St. Veronicas. In her spare time she knits and rock climbs.

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